Distant Film and Film-Performance
The movie observes Kobanê war’s influences on people and nature, and also Kobanian guerilla women’s rebellion against the approach which ignores woman’s historical values in dominant social descriptions for years.
The people who have to live within bounded place and time by the laws were either in prison or on the mountains or in demonstrations. And the halay was a way of organisation, a feeling of unboundedness in a bounded place, the synergy emerged from collective movement and mostly it was integrating, healing and detaching.
...the one that is not seen when it is looked at the one that is not listened when it is heard the one that is not felt when it is touched...
A life – In which we acquire new modes of existence changing any moment in cyclical time perception on dialectic life plane… which we are mostly unaware and in which we amuse ourselves with the visible… What about the things we cannot see…?
S-andınız has focused on the effects that the anthems that are repeated by the individuals at the age of development and who are parts of a society with a rich cultural background and diversity have formed in the emotional and intellectual structure and spiritual and physical development of these individuals
improvisation dance with music
Seen - Görüldü
Seen was about the pressure imposed by the cachet named “Seen” written on the letters which are sent to or from the prison on human’s flow of feeling and thought, but also the effects created by the involvement of an outside and unauthorized person in a two-persons relationship and communication bond, and in the area (the letter) where this relationship is expressed.